Impossible Seduction: Lesbians Seduce Two Beautiful Mothers: Two dominant women prey on two sexy moms who know what the wicked women intend but do not ... (Three Mothers and Six Daughters Book 3)

Product Information

Gershon: Every guy actor I've ever seen on set does pushups and stuff if he doesn't have his shirt on. I was like, "Oh this is what the dudes do, so this is what I'm going to do," because it kind of pumps your arms up. It's all very macho too. You know Corky had a lot of armor on, she was very protective of herself. The more I could feel that, the better I felt as Corky. Gershon: I knew I had to curl [my toes] on cue. I think it could have been a little bit more connected to an orgasm or to a sexual feeling. I felt it was more a mechanical thing. [But] it was very fluid. No pun intended. Gershon: [The Wachowskis] knew every angle, every cut. They came from doing graphic novels so they really had it in their heads. Tilly: Gina is like the coolest person to ever do a love scene with. She was playful. I would be like, "Can you put your hand here so my cellulite doesn't show? Can you prop my breast to make it look a little more plump?" Gershon: I was pushing Sinatra, "The Best Is Yet to Come". I was hearing that in my head, and I think they were toying with that, but then this is what they went with which was great. I mean you can't go wrong with Tom Jones.

lesbian neo-noir Jennifer Tilly and Gina Gershon revisit their lesbian neo-noir

Tilly: Gina had weights on the set, so before a scene she would work out [with] weights to make her muscles [bigger]. As the mainstream sleeps on the spooky season, here are five Halloween playlist albums better than “Thriller”Tilly: They wanted to do it in one long continuous shot. They had guys pulling at the walls. It was like a ballet between the Wachowskis, the crew, [and us]. [They'd be] yelling through the megaphone, "Breast!" and then we knew the breast was in frame. Gershon: Look at your body. Honestly, whenever I wasn't sure of what I was doing I would just stare at your chest. Gershon: I'm doing the pipes. I was a little paranoid. I'm definitely not good at any of that stuff, so I just needed to be convincing…I kind of got into it. It's so dirty and messy, and you're shoving this thing in the plug. It was fun. I just wanted to look cool, like I knew what I was doing. I liked all the physical activity. It just made me feel like I was doing all the things that I wish I knew in real life. I remember my mom said, "You're a really good actress." I asked, "Why?" She said, "Because I believed the plumbing stuff." Gershon: "I hate women who apologize for sex"— That's a truthful line. I do hate women who apologize for sex. Why should they be like, "Oh my God, I'm sorry I really like this." I thought it was a very smart line, because it was truthful, you know?

The 13 Best Lesbian Movies on Netflix Right Now | Marie Claire

Tilly: Look at this, we're like equals. You know I'm full of s–t; I know that you know I'm full of s–t. We both know what you're here for.I'm sorry miss 'asexual', please do tell everyone how exactly would that change the 'narrative'? What an incredibly stupid thing to say. Tilly: Somebody said, "Oh, you know, females don't have any sex organs." [Susie] goes, "Yes we do; it's called a hand." So they did do a lot of shots of hands.

lesbian checking in to the hotel room. Vacation Two girls lesbian checking in to the hotel room. Vacation

Gershon: As soon as I met Jen, I thought, "Oh my God, all I have to do is watch her." She was so amusing and so fun. It's just so easy to watch her, like her butt and her legs. It made my job easy to kind of objectify her. We liked each other as soon as we met. Gershon: I'm really proud of this movie, probably more than any other film I've done. These women are sexy and they're smart. They outsmart the bad guys. And they're funny and witty. They were into each other; they didn't need a man to help them. That was all a combination no one had really seen before. These parts weren't around a lot. Tilly: [Of all our romantic scenes together, we filmed this kissing scene first.] I had never kissed a girl before, onscreen or off. And I was a little bit nervous. Gershon: Susie Bright, she was supposed to take me around. The Wachowskis thought it was important that I meet her. She was an authority figure, and [a writer] in the lesbian community. I was really excited to talk to her.

Tilly: They didn't want it to be a man's version. There's a male version of what lesbians are, and you see it in the soft-core porn movies all the time. They really wanted to get it right. They wanted to be very respectful of the lesbian community. They wanted it to be very, very authentic and raw, not pornographic. Although it was pornographic because we're hot. [ Laughs]

Lesbian girl touching the breast of her girlfriend. Two hor Lesbian girl touching the breast of her girlfriend. Two hor

Tilly: It was a classic film noir, except instead of the lead being a male, it was Corky. A studio offered the [Wachowskis] a lot more money to make the movie, but they said that they had to make Corky a man. Tilly: Everyone's positive that they're so in love, and they're going to live happily ever after, but I really think in Violet's nature, she's a predator. I do not think it's going to end well. Violet's in love with Corky, but she's very damaged and I just don't think it's going to be like one of those, "50 years ago, we met cute," you know? Tilly: You've got to really adore your costar and have a good relationship and a trusting relationship because it's a really violent scene…[Gina] sprained her wrist or finger or something like that. But you got to go for broke. You can't be precious, you know? You're doing fight scenes. You kind of have to go for it. Tilly: [The rating board] said, "It looks like they're really doing it." And the [Wachowskis] go, "Let me get this straight. If the girls weren't such good actresses, you wouldn't have a problem?" They were embarrassed, and they said, "Yes."

Gershon: It was like the four of us having sex. It was like: "Foot! Wall! Head!" It was so choreographed. The camera [is] moving around, and you have one wall go up, another wall went down. Gershon: I was coming right off of Showgirls, and I was so ultra femme in that. [I cut] all my nails and my hair off, and I started boxing. I had been dancing for five months, so I was so floaty and I wanted to be in my body more like a boxer…Marlon Brando, Monty Clift, Robert Mitchum. I went to all those guys. There's a certain quietness. I wanted to be like all the guys I project [my ideas of heroism and masculinity] on to. Tilly: Once they got the two of us in the room, I thought, "This is a girl that I can really see being in a relationship with." Tilly: I did have so many girls come up to me—and so many drag queens saying their drag name was Violet. It really made me feel, in a weird way, like I had a responsibility when all these girls would come up to me and say that they came out of the closet and realized they were gay after they saw this film. Gershon: I really liked the hip [tattoo] that wrapped around my hip and crept up. You saw the top of it coming out of my pants sometimes. I thought that was really sexy. I had seen that on some girl at a bar, and I was like, "Oh that's hot."